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Authors: Franklin W. Dixon

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BOOK: Flesh and Blood
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Frank looked at the photo. "He does look a little familiar, but I can't place him," he said after a moment. "The photo's old, though. Look at the shirt." He turned the photo so Joe could get a better look. "That style went out when we were kids."

Joe took the photo from Frank and stared. "He does look like somebody I know, but who I can't say."

"It's probably Mock's son, but why only a kindergarten photo? Why not other school pictures?" Frank took back the picture and flipped through the whole bundle one more time.

"Chief Collig will need to know about this," Officer Riley said. He cleared his throat and reached for the bundle. "I'll have to take those, Frank."

Frank hesitated, then palmed the kindergarten photo before handing the bundle to Officer Riley.

They walked out into the rain.

"I'll make sure our best detectives get on this," Officer Riley said as he opened the door of his police cruiser. "Try to contact your father and let him know what's going on."

"Right," Frank said, scrunching up his shoulders against the cold rain. "Our car phone's out, but we've got a CB that can reach a ham operator."

"Good." Officer Riley slid into his cruiser and fired up the engine. He stared straight ahead and said, "This kid of Mock's who's gunning for your father may also be looking for you two. I suggest you find a place to lay low for a while." He looked up at the Hardys, smiled slightly, then shut his door and sped away.

"What now?" Joe asked as he and Frank hopped into the van.

"First we need to figure out exactly who this is." Frank held up the kindergarten photo of Bobby Mock.

"Officer Riley's going to be upset with you," Joe said.

"It won't be the first time," Frank replied. "Or probably the last."

The Hardys' CB buzzed and clicked.

"Number One Girl calling Sherlock. Over," Callie said over the radio.

Frank sighed. Callie liked to use handles - trucker slang for nicknames. She had dubbed Frank "Sherlock," Joe "Bone Crusher," Chet "Pizza King," and herself "Number One Girl." It could have been worse, Frank thought.

Frank grabbed the handset. "What is it, Callie? Over."

"Number One Girl," Callie insisted.

"Okay, Number One Girl. What is it?" Frank glanced at Joe, who was laughing at Frank.

"Go to the Times, Sherlock. The Paper Girl's got something you ought to see."

"Paper Girl?"

"Liz!"

"Oh."

Joe laughed louder.

Frank ignored Joe. "Where are you, Callie?"

"I wish you'd use my handle, Sherlock." Callie paused, and Frank knew she was angry. "Pizza King and I are still at WBAY."

"How's Chet's finger?" Joe asked.

"Cal - I mean, Number One Girl, Joe wants to know about Pizza King's finger."

"He's got a splint on it, but it's really only bruised. Paper Girl is at the Bayport Times and has something she wants to show you."

"She say what it was?"

"No. She refused to say."

"Okay, Number One Girl," Frank said. "Will I see you later?"

"If you're lucky," Callie said. "Over."

"Over," Frank said. He hung up the handset and shot a glance at Joe. "What's so funny?"

Joe forced himself not to laugh while he said, "Ah, what fools we make out of ourselves for true love."

"Just drive, Bone Crusher."

Minutes later Frank and Joe were at the Bayport Times, listening to Liz Webling as she sat behind her desk. Don sat on one corner of the desk.

"I've been working as a stringer for some time," Liz was saying. Joe shot her a questioning glance.

"A part-time reporter," Don answered.

Joe locked eyes with Don. He had asked Liz not Don.

"That's why I have access to the morgue," Liz continued.

"The morgue?" Joe asked.

"It's what they call the file room where they keep the 'dead' issues," Don explained. "Get it?"

Joe locked eyes with Don again. Something about Don didn't sit right with Joe, but he couldn't put his finger on it - not yet, anyway.

"Another reporter heard about what Mangieri told the assistant district attorney and Riley. He managed to get his hands on the parole report on Leonard Mock."

"We've already found Mock, and it's not him we're worried about," Joe said impatiently.

"It's his son," Liz announced, leaning back in her chair and locking her hands behind her head.

"How did you know that?" Frank asked.

"I'm a reporter."

Liz leaned forward and stared intensely at Frank. Frank forced himself not to smile. He could tell Liz was enjoying playing the part of detective.

"Shortly after the trial," Liz began, "Mock lost custody of his son, and Bobby Mock was adopted by another family."

"What about Bobby's mother?" Frank asked.

"She died when Bobby was only three," Don answered.

Joe was about to ask Don how he knew that when Frank said, "If Bobby Mock was adopted, then his name would have been changed and that could be why we don't know anybody named Mock at school."

"That's right," Joe said, suddenly excited. "All we have to do now is find out who adopted Bobby Mock."

"Forget it," Don said.

"What?" Joe didn't like Don butting in, answering all the questions, and he didn't like Don's know-it-all tone.

"Adoption records are held by the vital records section of city hall," Don explained, sounding bored. "The only way vital records will let you look at adoption papers is through a court order. And trying to get a judge to unseal adoption records is like trying to get Joe to give out his book of phone numbers."

"How do you know so much about it?" Joe fired back, ignoring Don's jab at his numerous girlfriends.

"His dad is city manager," Liz reminded the Hardys.

"That's right," Don said smugly. "And while you two can't get to the records, I can."

"How?" Frank asked quickly. Frank could tell Joe was getting angrier by the moment. Joe didn't like interference, even helpful interference. Or was Joe jealous of Don because of Liz?

"I know everybody at city hall. Nobody's going to question my hanging around, especially during a crisis. I told you guys earlier I wanted in on this case."

"You're in," Frank said. Joe shot Frank an angry look. "And thanks."

"No problem." Don jumped up from the desk. "I'd better start now." He left the newsroom and disappeared down the hallway.

"We'd better start, too," Joe said, not wanting Don to get too far ahead of them.

"We owe you one," Frank said to Liz as they headed out of the newsroom.

"Forget it, Frank. On second thought, let me have the exclusive on this story, and we'll call it even."

"You've got it."

Once outside, Joe darted through the rain at a jog.

"Hey, what's your hurry?" Frank asked.

"You don't think I'm going to let Don solve this case before we do, do you?"

That confirms it, Frank thought, Joe is jealous of Don. With all the girls in Bayport Joe could impress, he had to decide to try to impress Liz Webling, the one girl who wouldn't have anything to do with him.

A roar split the air. It sounded like thunder, but Frank knew no thunder would crease his left temple with a searing hot wind. Shards of brick flew off the Times building where the bullet finally hit and exploded. A three-inch chunk of brick slammed into the back of Frank's head.

He fell to the wet pavement.

"Frank!" Joe shouted. He ran to his brother.

Blackness swam in front of Frank's eyes, slowly falling like a curtain over his brain. He tried to push himself up but couldn't. Time seemed to slow down. Frank raised his head and saw a man in a black raincoat and ski mask standing in the alley across the street. His hands were coiled around a .357 automatic, its deadly barrel trained on the Hardys.

The man fired again. Joe Hardy fell next to his brother.

Chapter 5

Frank fought against the unconsciousness that sought to drown him. Through a red haze he watched as the black-clad man retreated into the darkness of the alley and disappeared.

He tried to push himself up again, but again he fell back to the wet pavement.

"Frank!" he heard someone yell in the distance.

His name echoed throughout his head, followed by a pounding that felt as though something were trying to push its way out through his temples.

He felt hands on his arm, turning him over. Once on his back, he looked up into the gray-black sky. Slowly the image of his brother came into focus.

"Joe," Frank said weakly. "I thought you were shot."

"Played possum," Joe said. "You okay?"

"Yeah, I guess." Frank sat up. "If you call an eighteen-wheel truck driving through your head okay." With Joe's help, Frank stood on wobbly legs. He had to lean against the brick building to steady himself.

"Not a truck," Joe said, fingering the three-inch hole the bullet had left in the brick wall.

"Automatic," Frank said, looking at the hole. "Three-fifty-seven."

"Frank! Joe! You okay?" Liz ran from the building, her face showing worry and fear. Several other employees were with her.

"Yeah," Frank said, trying to stand to his full height. He rocked back and forth as dizziness washed over him.

"What happened?" Liz asked.

"We don't know," Joe answered quickly. "I think I ought to treat that bump," he said to Frank. "And I think we have to get in out of the rain."

"Yeah," Frank replied.

"Everything's okay," Joe said to the small crowd that had formed around them. "Just a little accident." As the others headed back inside, Joe said to Liz, "I need to talk to you, Liz."

Once in the back of the van Joe got out the first-aid kit and began applying iodine to the back of Frank's head.

"Owww!" Frank shouted. He glared at Joe, who only smiled. "You don't have to enjoy this."

"What happened?" Liz asked again.

"We were shot at," Joe began.

"Bobby Mock, we think," Frank interrupted.

"How can you be sure?" Liz asked. "According to my sources, Leonard Mock said that Bobby is supposed to kill your father. Not you."

"We're the next best targets," Frank said as Joe finished up and put the first-aid kit away.

"I think the police ought to know about this," Liz said as she started to open the door.

"Wait," Frank said. He made a grab for her but fell back. "Man, I'm going to have some headache."

Joe hopped out into the clean dry air. The rain had finally let up. Joe gently grabbed Liz's arm to turn her around.

He began softly. "Look, Liz, Chief Collig has already threatened to throw us in jail for interfering with the investigation. If he knows about this, he'll put us in protective custody, and we won't be able to help find this Bobby Mock before he tries to kill our father."

"I don't know," Liz said hesitantly.

"Please, Liz. For me." Joe flashed his best smile at Liz and tried to look slightly helpless to appeal to her sympathies.

Liz crossed her arms. "You don't have to try to charm me, Joe Hardy." She stared for a few moments into Joe's eyes. "Okay. If it'll help, I won't say anything."

"Trying to steal my girl again, Hardy?"

Joe and Liz turned as Don walked up to the trio, his hands in his pockets.

Joe flushed with anger and embarrassment. "No."

Don looked into the van. "Hey, Frank. What are you doing in there?"

"Just getting ready to leave," Frank replied, gently stepping down from the van. "Find out anything?"

"No," Don replied with a shrug. "The computers were down. I'll have to go through the files by hand. That's why I came back here. I need to know roughly when Bobby Mock was adopted."

"I'll get it," Liz said and dashed into the newspaper building.

Don turned back to the Hardys. "As soon as I locate the file, I'll copy it and give it to you."

"You'll get into a lot of trouble if your father finds out," Frank said.

"No problem. I'd hate to think what it would be like to lose my father." Don's voice was distant, distracted.

Frank looked at Joe. "We need to get home."

"Why are you going there?" Don's question was more demanding than curious.

"Just an idea," Frank replied, purposely being evasive. "Let's go, Joe."

"I'll drop by later with the file," Don said as the Hardys hopped into the van.

"What's this idea you have?" Joe asked minutes later.

"Turn here," Frank said in reply.

"Where are we going?"

"Bayport Electronics. To find out who this is." Frank held up the kindergarten photo of Bobby Mock.

"How?"

"I read an article a few months ago about a new computer program that can age the people in photos like this one. You get a computer-generated image of what the person should look like at any age."

"I saw that on the news. They use it to help find runaways or kids who have been kidnapped." They rode on in silence a few minutes. Then Joe finally asked, "So, how old do you think Bobby Mock is now?"

"Leonard Mock's only a couple years older than Dad." Frank stared at the photo. "And judging by Bobby's shirt, I'd say he's somewhere between fifteen and twenty."

"That's quite a spread."

"It's the best we have so far."

"How long will this take?"

"An hour, two at the most."

"I'm going to the hospital," Joe announced. He steered the van into the oval drive of Bayport Electronics. "Bobby may get wind that his old man's there and try to visit him."

"I'll meet you there after the photo is done."

Joe waited until Frank entered the BE building and then drove away. He didn't really like the idea of splitting up, especially now that Mock's son had made his first move, but time was a luxury the Hardys could not afford.

***

"I'm sorry, Joe," said Officer Bill Murphy, "but Chief Collig will bust me back down to traffic control if I let you in there."

Joe and Officer Murphy stood at the nurses' station only a few yards away from the intensive care unit where Leonard Mock was clinging to life with the help of a life-support machine.

"I only want to talk to him," Joe pleaded.

"Nope." The young cop was unmoved. "The suspect is unconscious anyway. The doctors say he may not even make it through the night."

"Okay," Joe said. "But you can't keep me from waiting."

"No, I can't," Officer Murphy said, his thumbs tucked into his gun belt. "But I can tell you where to wait." He pointed behind Joe. "In the lobby."

"Humph!" Joe shook his head and headed back to the fifth-floor lobby. He was afraid that if he caused any trouble, Officer Murphy would have him escorted from the hospital.

Joe thrust his hands into his pockets and walked slowly toward the lobby. He glanced over his shoulder. Officer Murphy was leaning against the nurses' station, talking to a young blond nurse. An idea flashed through Joe's mind: If Murphy could be distracted long enough, Joe could sneak into Mock's room.

Joe ducked into a closet. Green surgical shirts and pants, gloves, masks, and hair covers lined the shelves. Joe quickly put the hospital garb on over his clothes, finally covering his face with a surgical mask.

He opened the closet door and glanced down the corridor. Officer Murphy was still engaged in a lively conversation with the pretty blond nurse. Joe stepped into the hallway and walked casually toward the nurses' station.

He grabbed a clipboard from a nearby desk and pretended to be looking at it while he passed Officer Murphy and the nurse.

He held his breath as he neared the door to ICU. He glanced back quickly and saw that neither Officer Murphy nor the nurse had even given him a glance. He pushed the door open and entered the intensive care ward.

The ICU ward was a long hallway with several doors leading off it into individual rooms. Joe checked the names on the doors until he found the one marked "Leonard Mock."

He glanced back down the hallway, took a deep breath, and quietly opened the door.

The room was full of shadows produced by the blinking lights of the life-support equipment. A steady, persistent hum flowed from the machinery. Mock's wheezing breaths sent a chill through Joe. He shuddered and walked quietly over to the bed.

Leonard Mock looked worse than he had at the rehab center. His skin was stretched even tighter against his skull, and his lips were drawn back to reveal large, yellow teeth in a death's head smile. Even though Mock's eyelids were closed over his large, bulging eyes, Joe got the feeling that Leonard Mock was watching his every move. The life-support equipment hummed and beeped, keeping track of the last hours of Leonard Mock.

Joe suddenly thought he should leave and was about to go out into the hall when he heard footsteps moving toward him. He dashed into the bathroom and closed the door, leaving a slit through which he could see the entire room.

The door to the room opened, and Joe watched as a man walked over to Mock's bed and stood for several moments without saying a thing. The man was silhouetted against the lights of the machine, his black outline revealing a dark raincoat.

"Father," the man said, his voice low. He leaned over the bed.

Bobby Mock! Joe took a deep breath.

"The sons - Frank and Joe - are dead! Their friends are next. And when Hardy returns, he'll be dead, too."

Joe stepped from the bathroom. "Over my dead body," he said.

The man swung around. Through the eyeholes of the black ski mask, Joe could see the confused, questioning eyes of Bobby Mock but nothing else.

The man reached inside his raincoat. The gun! Joe thought.

Joe leapt at the man and threw a hard right punch to his left cheek. Then he shoved him against the wall. Joe grabbed the man's hand and held it inside the raincoat. Joe could feel the hard steel outline of the .357 magnum.

Bobby Mock backhanded Joe, knocking him against a life-support machine. A staccato buzzing filled the air. Leonard Mock twitched on his death bed.

Bobby Mock pulled the .357 automatic from beneath his raincoat and pointed it at Joe.

Joe kicked out and got Mock's hand with his toe. The gun flew across the room and hit the floor, exploding as it landed.

Joe lunged at Mock and caught him in the sternum with his shoulder. Pain exploded in Joe's shoulder, and he bounced off Mock. As Joe reached for his shoulder, Mock planted a crushing right on Joe's jaw. Joe staggered backward.

The room swam as Joe tried to regain his senses. He was dazed and breathless. Mock ran for his gun.

The door to the room burst open, and Officer Murphy flew into the room. "What's going on in here?" he shouted.

Joe turned. He was distracted just long enough for Mock to grab his gun. Mock spun around, striking Joe across the cheek with an upward swing.

Joe crumpled to the floor.

BOOK: Flesh and Blood
8.93Mb size Format: txt, pdf, ePub
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