And Leave Her Lay Dying (17 page)

McGuire approached a middle-aged Mexican man in immaculate white T-shirt and khaki trousers who was crating plaster statues of fairies posing beneath plaster daisies.

“I'm looking for a man named Snyder,” McGuire said quietly to the worker.

The Mexican glanced up, nodded his head towards the large open structure at the rear and resumed his work.

Entering the building, McGuire passed a chaotic world of smaller statues and papier-mâché decorations. Parrots, monkeys, reptiles and crude reproductions of cartoon characters were displayed on metal shelving under the harsh light of fluorescent lamps.

A man in his thirties with half-lidded eyes and a wispy beard watched McGuire enter. “What can I show you?” he called across the aisle.

McGuire studied him before replying. Like the Mexican, this man wore a T-shirt that shone brilliantly white. Unlike the Mexican, whose attitude was deferential, he carried himself with a swagger and a sense of authority, and he balanced himself on the balls of his feet as McGuire approached.

“Looking for Andrew Snyder,” McGuire said softly.

The other man grinned, but his eyes narrowed.

“Andrew Snyder,” McGuire said, taking another step closer. “He works here. Or he used to. Where is he?”

“I don't know who the hell you're talking about, mister!” The grin grew wider as he shook his head and wiped the palms of his hands on his jeans. “Ain't nobody by that name working here.”

“Bullshit!' McGuire said it quietly.

The man sized him up carefully, measuring the age, height and weight of the older, shorter and lighter McGuire. He turned away for a moment, grinned even wider, and glanced back at McGuire again. He seemed to be stifling a laugh. “Oh, that Snyder,” he said pleasantly. “Sure, he's right over here.” He bounced away on the toes of his sneakers, gesturing to McGuire to follow.

Stopping at a scarred wooden door in the side of the building, he said, “Right in here, chief,” and removed an open padlock that had been swinging on its hasp.

“Open it,” McGuire said calmly.

His eyes still on McGuire, the younger man pushed the door inward. A dank, damp aroma wafted out of the windowless room.

“Now go in,” McGuire told him.

“Sure thing, chief.” The man walked past McGuire to enter the room before pivoting suddenly, his arm back and his fist clenched, legs spread to deliver the blow, just as McGuire's pistol crashed backhandedly against his cheek. He grunted a sudden curse of surprise and fell against the wall of the room, both hands at his face. Before he could scream, McGuire drove the fist of his other hand into the man's stomach, drew it back quickly and watched him fold at the waist to collapse, retching, on the dirt floor.

“Son, you're younger, bigger and heavier than I am,” McGuire said to the prone figure. “But you're also twice as dumb and half as mean. I could see it coming with my eyes shut.”

McGuire looked around. No one had seen or heard a thing. He stepped out of the storage room and closed the door behind him, slipping the padlock through the hasp again, locking the beaten man inside.

He walked back to the Mexican labourer, his hand in his jacket pocket, the fingers gripping the pistol. “Show me Bledsoe,” he said quietly. The Mexican looked up from his crouch and McGuire withdrew his pistol, letting his hand dangle at his side.

The Mexican blinked once before shrugging his shoulders and walking past McGuire to the main aisle leading to the street, with McGuire following a few cautious steps behind. On the way they passed two elderly women admiring a marble birdbath and a young couple arguing, with surprising passion, about whether to choose a green or a red papier­mâché parrot.

Ahead of them, a tall overweight man in an open-necked shirt stood with a clipboard in his hand. His complexion was red and raw and his eyes were large behind thick, rimless glasses. Nearby, two Mexicans in identical white T-shirts were stacking plaster flamingos while a younger man in sleeveless shirt and jogging shorts stood nearby, his well­muscled arms folded across his chest.

“
Señor
Bledsoe,” the man with McGuire called out as they approached.

“What you got, Nando?” Bledsoe continued writing on the clipboard.

“I'm looking for Andrew Snyder,” McGuire said before the Mexican could reply. He raised the gun to waist level. “And no jerking me around. Some other guy just tried it and now he's drizzling down his shirt in a storeroom around the corner.”

Bledsoe looked up, adjusted his glasses, dropped his eyes to the gun in McGuire's hand and smiled. “Hey, hoss,” he said, nodding at the revolver. “What's this? Hell, you want a statue, you take a statue.”

“I want Andrew Snyder,” McGuire said evenly. “Just tell me where he is and I'm gone.”

The two Mexicans looked briefly in McGuire's direction and, seeing the gun, quickly sat on their haunches, staring at the concrete floor. The young man in jogging shorts lowered his arms, watching McGuire.

Bledsoe stood, his mouth open in a broad smile, looking first at the muscular young man, then back at McGuire. He seemed to find the incident amusing. “What? You locked somebody in a storeroom? Who? What'd he look like? Must be Colin. Colin!” he called down the aisle of plaster figurines towards the street.

“The hell with him,” McGuire said. “I want Snyder. That's all. Andrew Snyder. You Bledsoe?”

“Around here it's
Mister
Bledsoe,” the younger man sneered.

“Where I come from, bullshit is bullshit,” McGuire said. “Even if it stands six feet tall and wears glasses.”

Bledsoe laughed aloud. “Ain't he somethin', Warren?” he said in admiration to his assistant. By his expression, it was clear Warren was unimpressed. “Hell, hoss, you can call me anything you want to.” He leaned casually against a post. “Name's George Bledsoe, actually.” He thrust a large pink hand towards McGuire. “What they call you at home?”

Stepping away from the hand, McGuire hooked the toe of his shoe around a plaster flamingo on the bottom layer of a pallet being loaded by the Mexicans. With a sudden kick, he dislodged the corner figure, sending several layers crashing to the floor.

Warren swore. The two Mexicans jumped up and stood to one side, their eyes still downcast.

McGuire leaned against another pallet of figures and smiled coldly at Bledsoe. “Amazing how clumsy I get with a gun in my hand,” he said. “So before I start tripping over anything else, just tell me where I can find Andrew Snyder.” George Bledsoe looked at the broken statues at his feet. The smile faded, then reappeared. “Hoss,” he said, shaking his head. “I see that much shoot in a man's eyes, I figure it's time to start singing small.” He handed his clipboard to Warren. “You know where the Old Mine Road is?”

“You going to tell me, or do I visit the tourist bureau?”

“You go back up the interstate about five miles. Look for an exit to the left. Big power plant there. Can't miss it. That's Old Mine Road. You go west about twenty miles till you see the sign. Bledsoe Mines. That's where old Andy works for me. Kind of a watchman. You go in there, you'll see Andy.”

McGuire stared at Bledsoe for a moment. “If he's not there, I'm liable to come back mad and very clumsy,” he said softly.

“Hell, hoss,” Bledsoe grinned, “I'd have to be about as sharp as a bag of wet mice, bring a mean dozer like you here twice when I didn't want to see him once. You got business with Andy, that's Andy's lookout. Now, you mind if Warren and me get back to making a semi-honest dollar?”

McGuire angled his head towards the front of the building. “Go look after your customers,” he said. “All of you. After I'm gone you might want to rescue the punk who tried to sucker me into a locked storeroom. But that's up to you.”

Bledsoe ambled by, his heavy stomach spilling over his belt. “Right nice of you to take over like that,” he drawled, avoiding McGuire's eyes as he passed. “Come on, Warren.”

The other man followed, glaring at McGuire.

“You young ladies sure picked yourself a pretty birdbath there.” Bledsoe's voice echoed through the building as he approached the elderly women. “God's truth, I was kind of saving that one for myself.”

McGuire stepped quickly across the aisle and walked to the open gate facing the side street. He pocketed the revolver, circled the block and entered his car from the passenger side, keeping his eyes on the front gate.

Within the compound, Bledsoe watched him drive away. Then, his faced clouded and severe, he spoke a few sharp words in Warren's ear and the younger man grinned before trotting to a telephone on the sales counter.

The chimneys of the power plant stood like monuments on the horizon. When McGuire reached them, he turned west into the sun, a hazy orange balloon floating above a barren brown landscape.

Within a mile, the small houses, general stores, garden nurseries and gas stations lining the road gave way to pastures delineated by rusty barbed-wire fences.

McGuire checked his rearview mirror repeatedly; no one appeared to be following him.

Soon the road surface began to deteriorate. The asphalt grew pock-marked; loose stones clattered against the car's fenders. There were no buildings to be seen and the patchy grazing land had been replaced with raw, red clay.

The sun sank lower, approaching the earth, and McGuire accelerated to race against the oncoming darkness. Half an hour after leaving Laredo, a tall metal structure loomed up from a field to his left. He slowed at a laneway where a faded sign announced “Bledsoe Mining. Unauthorized Persons KEEP OUT!”

McGuire withdrew the revolver from his jacket, placed it on the seat beside him and turned into the gravel lane.

Coming over a rise just beyond the entrance he passed a rusting dump truck, the hood and doors removed, the tires rotting on the wheels. At the top of the next rise he could see the full height of the ore-loading machinery, that had marked the mine's location from the road. Like the rest of the operation, it appeared to have been abandoned years ago; one end of a rubber conveyor belt dangled from the top of the structure like a dead serpent.

He drove cautiously through the mine site, feeling every nerve-end tingle as he passed a corrugated metal shed with “OFFICE” in faded white lettering over the open doorway and a long line of wooden buildings stretching down a weedy lane, their open windows staring blankly at the dying sun.

McGuire saw no sign of life: no vehicle tracks, no footprints.

He circled the grounds cautiously once, twice, one hand on the steering wheel, the other gripping his service revolver.

The gravel road continued beyond the office area and over another low rise. McGuire edged the car towards it, driving into the sun again, keeping his eyes moving and his senses alert.

Topping the rise was the mine head, marked by square timbers erected like some primitive wooden icon across an open pit. Rusting machine parts were scattered on the ground surrounding the pit, an open and bleeding wound in the red glow of the sunset. Gear-toothed wheels, levers, tools and other equipment lay where they had been discarded long ago.

McGuire stopped the car, switched off the engine and looked around. The silence covered him like a heavy blanket.

In the city, McGuire would frequently curse the unmuffled trucks, the piercing sirens, the incessant babble of humanity. Now, in a Texas desert glowing like molten metal in the light of a setting sun, he grew aware of the silent terror created by the total absence of sound—silence, without even a whisper of wind.

He scanned the horizon again. Deserted.

Except . . .

White, crisp and brilliant among the weathered wood and iron—a piece of paper, freshly nailed to the crossbeam timber over the mine shaft. And a word printed on it in bold black letters.

McGuire stepped out of the car, his revolver in his hand. Moving in slow circles, he approached the mine head, seeing nothing but desolation, hearing nothing but his own heartbeat.

He reached the edge of the open pit and looked up to read the word on a large white envelope fastened to the crossbeam midway over the pit.

Snyder.

“Bullshit,” McGuire muttered, then louder, shouting against the silence, “Bullshit!”

He wasn't going to crawl across a beam in the middle of the desert, hanging over an open hole in the ground. He looked around again, then walked towards the car.

He stopped. It could mean something. Anything.

He scanned the horizon again and circled cautiously back to the open pit marking the mine head.

The sandy walls at his feet sloped down to the dark, forbidding opening of the vertical mine shaft in the centre of the pit. Heavy machinery had once been installed in the pit to hoist ore from beneath the ground and convey miners up and down the shaft. Now only their concrete footings remained, set just beyond the rim of the crater; exposed iron reinforcing rods reached out of the concrete and into the air like spiny, rusting fingers.

McGuire studied the crossbeam above him again. The sturdy timber was more than a foot square. He pushed against the nearest upright supporting the crossbeam, testing its stability, confirming it was solidly fixed in the ground.

He shook his head.

Jesus.

Iron bolts on the upright beam would provide a grip for his feet. Crawling on his stomach along the crossbeam would bring him to the envelope. Which was probably empty. Which would make it all a trap.

You could drive away, McGuire told himself. See Bledsoe tomorrow. Except that he'll be ready for you. If it's a trap, he set it up. And he could have the same kind of trap waiting back in Laredo.

Or you could crawl up there, check the envelope and hope something inside leads you to Andrew Snyder. And the killer of Jennifer Cornell.

He scanned the horizon again. There was no sign of life. Darkness was creeping over the desert, the sky in the east already more ebony than blue.

He didn't really have a choice.

He said it aloud, wanting to hear the sound of his own voice again. “You don't really have a choice.” Then he added: “You dumb son of a bitch.”

Slipping the revolver into his jacket pocket, he began to shinny up the nearest vertical beam. This, he promised himself, was the last mine shaft he would ever crawl across in Texas.

At the top, he was bathed in the fading light of the sun, suspended just above the horizon. He lay lengthwise on the beam and began dragging himself on his stomach, closer to the envelope, telling himself not to look down, telling himself he would seize the envelope, return to the ground and be back inside his car in a minute. One minute. Sixty seconds.

The envelope was within reach when the wood beneath him exploded and the crack of a rifle shot echoed across the desert.

He remembered butterflies he had seen as a child. Where? A museum, probably. Collections of tropical butterflies displayed in deep cabinets. Each insect, its wings dutifully spread to display their vibrant colours and distinctive patterns, impaled on a shiny pin which pierced first their bodies, then the layer of cork beneath them.

He was the butterfly. He was pinned. He could not move.

From the direction of the setting sun, he heard the snick­snick of a lever-action rifle being reloaded. A hunting rifle, he told himself, standard Winchester probably. Equipped with a scope. For shooting deer, not butterflies.

The next shot struck just below his armpit, sending splinters flying into his face. His body jolted in response and he almost slipped from the beam as his reflexes screamed at him to put the beam between himself and his hunter.

The sniper was adjusting. First shot low and too far right. Next shot higher and to the left. Coming closer to the chest. Or the head.

He looked down. The vertical mine shaft gaped black, open and waiting, twenty feet below.

The snick-snick echoed again from somewhere near the sun.

Survive another shot, he told himself. Then survive the fall to the ground and survive the arrival of the sniper to finish you off.

One step at a time. That's all he could do. Survive one step at a time.

He shifted his body, trying to become a moving target while still hanging over the side of the beam. His arms were in near agony from the strain. His shoulders ached and his hands felt frozen. He had to hold on. If he dropped before another shot, the sniper would know he hadn't been hit. And he would lose the element of surprise.

He needed the element of surprise. It was all he had.

McGuire moved again, sliding his hands across the rough wood, hefting his hips upward to rest on the beam as the third shot echoed across the open sky and the air whispered just above his head.

Crying out, he dropped from the beam into the darkness below him, throwing himself away from the open shaft and sinking to his ankles in the sand. He fell forward and scrambled up the sides of the crevice, dog-paddling in the loose soil, hands and feet churning against gravity. His efforts loosened a large rock that crashed against his ankle and slid down the slope, plunging into the vertical mine shaft.

Only when McGuire had scurried around the side of the pit, clutched the corner of a concrete anchor and tried to calm his breathing did he hear the faraway sound of the boulder striking the bottom of the shaft.

Huddling against the concrete anchor, he tried to vanish within its shadow.

He has to make sure, he told himself, trying to keep his hand from trembling as he withdrew the revolver from his pocket. He has to come over here and see.

McGuire counted seconds, crouching ten feet below the western edge of the pit. Above him, the crimson light of the sun bled into the deeper blue of the sky.

If the sniper walked directly to the pit, McGuire could remain in the shadows until the last second. But if he circled to approach from the east, he would see McGuire easily. Then it would be a matter of firepower and accuracy. A Police Special revolver against a lever-action rifle at thirty feet.

McGuire grimaced. Even the butterflies had better odds.

Time expanded. It seemed like hours since McGuire had plunged from the beam before he heard the sound of footsteps taking long, slow strides on the loose soil.

The footsteps stopped.

He's looking around, McGuire told himself. Making sure I'm alone. Making sure there are no witnesses. Staying west of the mine head, keeping the sun behind him. If I hadn't climbed the beam he would have shot me before I got back to the car.

He set it up neatly. One good hit and I drop into the mine shaft. No blood on the ground. Neat.

The footsteps began again.

Don't circle, McGuire prayed.

He tensed at the first sight of the man's shadow cast into the pit by the setting sun. It crept over the rim above his head, grew down the walls of the pit to the open mouth of the shaft and began moving up the other side. A long, lean shadow elongated by the low angle of the light.

Son of a bitch is wearing a cowboy hat, McGuire frowned. John Wayne stalking Indians in the desert. God, he hated Texans.

A second shadow traversed the first and McGuire knew the man was carrying the rifle low across his body. He was relaxed, not expecting to fire again.

He heard the boulder fall, McGuire realized. He thinks I'm down there. Bledsoe called, told whoever is out there to bury me in the mine shaft. Probably suggested the envelope with Snyder's name on it as bait. Something to get me occupied, keep me from blowing the bastard's head off. McGuire extended his arms slowly, the revolver steady in his right hand, his left gripping his right wrist, and waited for the man to arrive at the brink of the pit. To hell, he said silently, with the Marquis of Queensberry.

Suddenly the other man was there above him, his eyes on the opening of the mine shaft beyond the place where McGuire lay. McGuire sighted on the arm holding the rifle, squeezed the trigger gently and felt the gun jump in his hand.

Like catching a sidearm fastball, he thought: the recoil of the gun slapping his hand, stiffening his wrist, driving his arm up and his shoulder back. Like catching a hard-thrown baseball.

The rifleman screamed in pain and surprise as he flung the rifle in front of him, the bones of his forearm shattered by the bullet from McGuire's gun. He stumbled forward, off balance and intent on his agony, as the rifle sailed into the pit. McGuire slid quickly aside to avoid the man, who was falling towards him and screaming a second scream which masked the echo of the first.

With his back to the plunging man, McGuire heard the sickening liquid impact and a third scream, a long, shrill cry of agony and terror, and knew the man could fall no further than the top of the concrete anchor.

He gripped the side of the pit and pulled himself to the top. You have to look, he told himself. You have to look at him. He glanced quickly down at the man, groaned and turned away, then looked back again.

A butterfly.

Dressed in a tan shirt, matching chinos and lizard-skin boots, the man atop the concrete anchor had lost his hat in the plunge, spilling thick blond hair that hung back from a long angular face. He had twisted onto his back while falling, landing on the rusting iron rods which jutted from the concrete anchors up to the blood-red sky. Now he lay pinned there, his body jerking in spasms, his eyes wide and fearful.

McGuire returned his gun to his pocket and dropped down to the injured man. He counted six rods piercing the body, heard the man's laboured breathing and some strange liquid sounds he didn't want to think about.

“I'll get help,” McGuire said, touching the man gently.

The man's eyes, swerving wildly in their sockets, found McGuire, rolled upwards, found him again.

“Snyder,” he whispered. “Is that you? Are you Andy Snyder?”

The eyelids lowered. One leg moved in spasms.

In the rear pocket of the man's chinos, fastened to a belt loop by a long and elegant silver chain, was a worn leather wallet. McGuire removed it carefully, took out the driver's licence and read the name.

William Raymond Edwards.

McGuire seized the man by the shirt and began to lift him away from the rods, anger exploding within him. “Goddamn it, you know! Tell me where Snyder is!”

His eyes snapping open again, the other man made an animal noise, long and loud and filled with agony and terror. Stunned by the sound, McGuire sat back on his haunches for a moment before swallowing once, hard, and bringing his mouth close to the dying man's ear. “Tell me where Snyder is,” he said quietly. “Or I'll do it again.”

“Cat . . .” the man began. Then: “Cat . . . alina . . .”