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Authors: Michael Connelly

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BOOK: A Darkness More Than Night
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Lockridge didn’t say anything and McCaleb didn’t wait. He closed the door to the forward bunk and then turned to the desk. As he looked down at the murder book in his hands he felt a sharp thrill as well as the familiar rising of dread and guilt.
McCaleb knew it was time to go back to the darkness. To explore it and know it. To find his way through it. He nodded, though he was alone now. It was in acknowledgment that he had waited a long time for this moment.

 

 

3
The video was clear and steady, the lighting was good. The technical aspects of crime scene videotaping had vastly improved since McCaleb’s days with the bureau. The content had not changed. The tape McCaleb watched showed the starkly lit tableau of murder. McCaleb finally froze the image and studied it. The cabin was silent, the gentle lapping sound of the sea against the boat’s hull the only intrusion from outside.
At center focus was the nude body of what appeared to be a man who had been trussed with baling wire, his arms and legs held tightly behind his torso to such extreme that the body appeared to be in a reverse fetal position. The body was face down on an old and dirty rug. The focus was too tight on the body to determine in what sort of location it had been found. McCaleb judged that the victim was a man solely on the basis of body mass and musculature. For the head of the victim was not visible. A gray plastic mop bucket had been placed entirely over the victim’s head. McCaleb could see that a length of the baling wire was stretched taut from the victim’s ankles, up his back and between his arms, and beneath the lip of the bucket where it wrapped around his neck. It appeared on first measure to be a ligature strangulation in which the leverage of the legs and feet pulled the wire tight around the victim’s neck, causing asphyxia. In effect, the victim had been bound in such a way that he ultimately killed himself when he could no longer hold his legs folded backward in such an extreme position.
McCaleb continued studying the scene. A small amount of blood had poured onto the carpet from the bucket, indicating that some kind of head wound would be found when the vessel was removed.
McCaleb leaned back in his old desk chair and thought about his initial impressions. He had not yet opened the binder, choosing instead to watch the crime scene videotape first and to study the scene as close as possible to the way the investigators had originally seen it. Already he was fascinated by what he was looking at. He felt the implication of ritual in the scene on the television screen. He also felt the trilling of adrenaline in his blood again. He pressed the button on the remote and the video continued.
The focus pulled back as Jaye Winston entered the frame of the video. McCaleb could see more of the room now and noted that it appeared to be in a small, sparely furnished house or apartment.
Coincidentally, Winston was wearing the same outfit she had worn when she had come to the house with the murder book and videotape. She had on rubber gloves that she had pulled up over the cuffs of her blazer. Her detective’s shield hung on a black shoelace which had been tied around her neck. She took a position on the left side of the dead man while her partner, a detective McCaleb did not recognize, moved to the right side. For the first time there was talking on the video.
“The victim has already been examined by a deputy coroner and released for crime scene investigation,” Winston said. “The victim has been photographed in situ. We’re now going to remove the bucket to make further examination.”
McCaleb knew that she was carefully choosing her words and demeanor with the future in mind, a future that would include a trial for an accused killer in which the crime scene tape would be viewed by a jury. She had to appear professional and objective, completely emotionally removed from what she was encountering. Anything deviating from this could be cause for a defense attorney to seek removal of the tape from evidence.
Winston reached up and hooked her hair behind her ears and then placed both hands on the victim’s shoulders. With her partner’s help she turned the body on its side, the dead man’s back to the camera.
The camera then came in over the victim’s shoulder and closed in as Winston gently pulled the bucket handle from under the man’s chin and proceeded to carefully lift it off the head.
“Okay,” she said.
She showed the interior of the bucket to the camera — blood had coagulated inside it — and then placed it in an open cardboard box used for evidence storage. She then turned back and gazed down at the victim.
Gray duct tape had been wrapped around the dead man’s head to form a tight gag across the mouth. The eyes were open and distended — bugged. The cornea of each eye was rouged with hemorrhage. So was the skin around the eyes.
“CP,” the partner said, pointing to the eyes.
“Kurt,” Winston said. “We’re on sound.”
“Sorry.”
She was telling her partner to keep all observations to himself. Again, she was safeguarding the future. McCaleb knew that what her partner was pointing out was the hemorrhaging, or conjunctive petechiae, which always came with ligature strangulation. However, the observation was one that should be made to a jury by a medical examiner, not a homicide detective.
Blood matted the dead man’s medium-length hair and had pooled inside the bucket against the left side of his face. Winston began manipulating the head and combing her fingers through the hair in search of the origin of the blood. She finally found the wound on the crown of the head. She pulled the hair back as much as possible to view it.
“Barney, come in close on this if you can,” she said.
The camera moved in. McCaleb saw a small, round puncture wound that did not appear to penetrate the skull. He knew that the amount of blood evidenced was not always in concert with the gravity of the wound. Even inconsequential wounds to the scalp could produce a lot of blood. He would get a formal and complete description of the wound in the autopsy report.
“Barn, get this,” Winston said, her voice up a notch from the previous monotone. “We’ve got writing or something on the tape, on the gag.”
She had noticed it while manipulating the head. The camera moved in. McCaleb could make out lightly marked letters on the tape where it crossed the dead man’s mouth. The letters appeared to be written in ink but the message was obliterated by blood. He could make out what appeared to be one word of the message.
“Cave,” he read out loud. “Cave?”
He then thought maybe it was only a partial word but he couldn’t think of any larger word — other than
cavern
— that contained those letters in that order.
McCaleb froze the picture and just looked. He was enthralled. What he was seeing was pulling him backward in time to his days as a profiler, when almost every case he was assigned left him with the same question:
What dark, tortured mind did this come from?
Words from a killer were always significant and put a case on a higher plane. It most often meant that the killing was a statement, a message transmitted from killer to victim and then from the investigators to the world as well.
McCaleb stood up and reached to the upper bunk. He pulled down one of the old file boxes and let it drop heavily to the floor. Quickly lifting the lid, he began combing through the files for a notebook with some unused pages in it. It had been his ritual with the bureau to start each case he was assigned with a fresh spiral notebook. He finally came across a file with only a BAR form and a notebook in it. With so little paperwork in the file he knew it was a short case and that the notebook should have plenty of blank pages.
McCaleb leafed through the notebook and found it largely unused. He then took out the Bureau Assistance Request form and quickly read the top sheet to see what case it was. He immediately remembered it because he had handled it with one phone call. The request had come from a detective in the small town of White Elk, Minnesota, almost ten years before, when McCaleb still worked out of Quantico. The detective’s report said two men had gotten into a drunken brawl in the house they shared, challenged each other to a duel and proceeded to kill each other with simultaneous shots from ten yards apart in the back yard. The detective needed no help with the double homicide case because it was cut and dried. But he was puzzled by something else. In the course of searching the victims’ house, investigators had come across something strange in the basement freezer. Pushed into a corner of the freezer cabinet were plastic bags containing dozens and dozens of used tampons. They were of various makes and brands, and preliminary tests on a sampling of the tampons had identified the menstrual blood on them as having come from several different women.
The case detective didn’t know what he had but feared the worst. What he wanted from the FBI’s Behavioral Sciences Unit was an idea about what these bloody tampons could mean and how to proceed. More specifically, he wanted to know if the tampons could possibly be souvenirs kept by a serial killer or killers who had gone undiscovered until they happened to kill each other.
McCaleb smiled as he remembered the case. He had come across tampons in a freezer before. He called the detective and asked him three questions. What did the two men do for a living? In addition to the firearms used during the duel, were there any long weapons or a hunting license found in the apartment? And, lastly, when did bear hunting season begin in the woods of northern Minnesota?
The detective’s answers quickly solved the tampon mystery. Both men worked at the airport in Minneapolis for a subcontractor that provided clean-out crews who prepared commercial airliners for flights. Several hunting rifles were found in the house but no hunting license. And, lastly, bear season was three weeks away.
McCaleb told the detective that it appeared that the men were not serial killers but had probably been collecting the contents from the tampon disposal receptacles in lavatories of the planes they cleaned. They were taking the tampons home and freezing them. When hunting season began they would most likely thaw the tampons and use them to bait bear, which can pick up the scent of blood at a great distance. Most hunters use garbage as bait but nothing is better than blood.
McCaleb remembered that the detective had actually seemed disappointed that he had no serial killer or killers at hand. He had either been embarrassed that an FBI agent sitting at a desk in Quantico had so quickly solved his mystery or he was simply annoyed that there would be no national media ride from his case. He abruptly hung up and McCaleb never heard from him again.
McCaleb tore the few pages of notes from the case out of the notebook, put them in the file with the BAR form and returned the file to its spot. He then put the lid on the box and hoisted it back up onto the shelf that had been the top bunk. He shoved the box back into place and it banged hard on the bulkhead.
Sitting back down, McCaleb glanced at the frozen image on the television screen and then considered the blank page in the notebook. Finally, he took the pen out of his shirt pocket and was about to begin writing when the door to the room suddenly opened and Buddy Lockridge stood there.
“You okay?”
“What?”
“I heard all this banging. The whole boat moved.”
“I’m fine, Buddy, I just —”
“Oh, shit, what the hell is that?”
He was staring at the TV screen. McCaleb immediately raised the remote and killed the picture.
“Buddy, look, I told you this is confidential and I can’t —”
“Okay, okay, I know. I was just checking to make sure you didn’t keel over or something.”
“Okay, thanks, but I’m fine.”
“I’ll be up for a little while if you need something.”
“I won’t, but thanks.”
“You know, you’re using a lot of juice. You’re going to have to run the generator tomorrow after I split.”
“No problem. I’ll do it. I’ll see you later, Buddy.”
Buddy pointed at the now empty television screen.
“That’s a weird one.”
“Good-bye, Buddy,” McCaleb said impatiently.
He got up and closed the door while Lockridge was still standing there. This time he locked it. He returned to the seat and the notebook. He started writing and in a few moments he had constructed a list.
SCENE
  1. Ligature
  2. Nude
  3. Head Wound
  4. Tape/Gag — “Cave”?
  5. Bucket?
He studied the list for a few moments, waiting for an idea, but nothing came through. It was too early. Instinctively, he knew the wording on the tape was a key that he wouldn’t be able to turn until he had the complete message. He fought the urge to open the murder book and get to it. Instead, he turned the television back on and began running the tape from the spot he had left off. The camera was in and tight on the dead man’s mouth and the tape stretched tightly across it.
“We’ll leave this for the coroner,” Winston said. “You got what you can of this, Barn?”
“I got it,” said the unseen videographer.
BOOK: A Darkness More Than Night
6.45Mb size Format: txt, pdf, ePub
ads

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