I Love My Smith and Wesson

 

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Contents

Title Page

Copyright Notice

Dedication

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Glossary of Priesthood Slang

Also by David Bowker

Praise for
The Death You Deserve

Copyright

 

For Rod Mackintosh

One

Oh, where have you been, my long, long love

This long seven years and more?”

“Oh, I've come to seek my former vows

Ye granted me before.

—“THE DAEMON LOVER,” ANONYMOUS

On the eve of his wedding, Billy Dye received a warning from a dead man. It was a message scrawled in blood.

Billy recognized the writing.

He recognized the blood.

When Billy came down to breakfast, the card was waiting for him, propped up against the toast rack. It was early. The hotel restaurant was half empty. There was a package beside the card, which Billy opened first. The package contained two advance copies of the U.S. version of
Dances with Werewolves
by William Dye. The book's jacket, which Billy had never seen before, showed a wolf's green eye with a miniature Fred and Ginger reflected in its center.

Billy smiled at the book and the legend on the back: “his American debut.” This was a lie. His first novel,
Unholier than Thou,
had been published by a tiny Boston company six years before, when it had sold precisely five copies.

Billy turned his attention to the card. He took his time, studying the envelope to see if he could guess who it was from. The address was neatly typed: “William Dye, The Bridal Suite, The Skene Castle Hotel, Argyllshire, Scotland.” There was a Manchester postmark. The card within was homemade, its corners trimmed with lace in the Victorian style. On the cover, a heart-shaped window looked onto a fetching little collage of snakes, skulls, and tombstones.

Billy was the first member of his party to surface, so no one saw the look on his face when he opened the card and looked inside. The effect that the message within had on Billy was remarkable. He turned lime pale and held his hand to his mouth, as if to stifle a curse or a flood of vomit. Then he picked up the card, ignoring the waitress who had arrived to take his order, and strode out of the restaurant.

At the foot of the stairs, he almost collided with his bride-to-be and their young daughter. They were coming out of the lift, but Nikki was carrying the baby in her left arm while her right hand forced back the heavy old-fashioned lift gate and she failed to notice him.

When Billy reached their room, he was trembling. He studied the card again, not wishing to believe what he'd seen the first time:

I SHALL BE WITH YOU ON YOUR WEDDING NIGHT.

The message was a quotation from
Frankenstein,
by Mary Shelley. In the novel, Frankenstein starts to construct a female companion for his monster, then decides against it. The monster retaliates by murdering Frankenstein's wife after the ceremony.

Frankenstein
was one of Billy's favorite novels. It was also loved by Rawhead.

From anyone else such a promise would be meaningless. But Rawhead tended to carry out his threats. Wherever he walked, he brought death and destruction. He was the most frightening man alive. Billy had tried to kill him. It was now apparent that he had failed. The monster had returned.

It was alive, alive.

And it wanted blood.

Billy was shaking.

He walked over to the minibar, a tiny fridge stocked as usual with overpriced miniatures and second-rate soft drinks in slim cans. Without thinking, he emptied a bottle of gin into a glass and gulped it down.

Then he walked to his sock drawer and took out the gun that was hidden there. It was a Smith & Wesson 360 PD. A short-range firearm, but that didn't matter. Billy was a short-range marksman. He had purchased the gun months ago from a lunatic in a pub. At home, Billy liked to stand before the mirror, aiming the gun at his reflection:
So. You think you're a match for the big boys?

There was a time when Billy had despised guns. But now he sympathized with Chuck Heston, who thought that every decent, law-abiding citizen should have a gun to deter motherfuckers. Particularly those motherfuckers who wanted to raise their children in a safe, nonviolent world. (How dare they?)

If the police had caught Billy in possession of the Smith & Wesson, he would probably have faced a prison sentence. Billy didn't care for the police. As far as he was concerned, the police were the root cause of all criminal activity. When Rawhead came looking for him, where would the police be? Swapping porn, dealing drugs, getting pissed, arresting penniless old ladies for stealing tins of beans.

Carefully Billy set fire to the card, carried it into the bathroom, and dropped it into the washbasin. When it was charcoal, he broke it into pieces, turned on the tap, and flushed the black mess away.

*   *   *

Billy put on his overcoat and slipped the gun into his right-hand pocket. He left the room, smiling at a pretty chambermaid on his way out. Underneath the tall Christmas tree in the hotel lobby lay a mound of parcels in tartan wrapping paper. Billy walked past the tree, nodded to the stony-faced receptionist (
You don't have to be charmless to work here, but it helps
), and stepped out into the freezing Highland air. Outside the hotel—formerly a fake castle built by an English factory owner—Billy crossed the car park and took the steps down to the beach.

It was a cold, dark morning. The North Sea bucked and crashed.

Great white rollers exploded on the rocks and their spray was borne outward and upward on the wind.

Billy was inadequately dressed, but he was too upset to feel the cold. He glanced back at the hotel on the cliff with its four symmetrical towers and conical turrets. The light burned in his room, high in the left-hand tower. Behind him, the trail of his footprints was the only blemish on the soft brown sand.

Billy couldn't stop thinking of Rawhead, and the fear he brought with him.

The bright eyes staring.

The fragrance of the pit.

There was no one on the shore, not even the customary twat with a dangerous dog. As Billy walked, the sea hissed and begged at his feet.

Billy was afraid for his family. He was afraid for his child. But mostly, crucially, he was afraid to lose the only period of real happiness he had known. Since he and Nikki had been reunited, all the doors that had once been closed to Billy had mysteriously opened.

He had written a TV series called
Gangchester,
which was about to go into production. An American film studio had optioned
Unholier than Thou
for a generous sum. George Leica was on board to direct.

Strangest of all, Billy's bank manager had written him a personal letter hinting that if he wished to take out a loan, the bank would guarantee him a very generous rate of interest—a kindness that was never offered when Billy actually needed it.

The British press, having heard about the Hollywood dollars, was suddenly eager to interview Billy. Nothing excites British journalists more than American money. Magazine editors who had once despised Billy for being so cynical and nasty now wanted him to write nasty, cynical little articles for large fees, on subjects he knew nothing about.

Billy was invited onto a TV arts program, where he talked shit with three other shitheads. When he and Nikki were in London for the recording, Billy phoned the Ivy restaurant and actually managed to secure a table for that very evening. This was a miracle in itself. But what astonished Billy more was that the woman who took his booking had actually
heard
of him.

The only thing that wasn't perfect was his relationship with Nikki. That was why he had asked her to marry him. He wanted it to be a new beginning.

And now, out of the blue—or, rather, the howling void—Rawhead, the demon of desolation, had reentered his life.

Billy tapped his pockets and located his menthol cigarettes. Apart from the odd spliff, he hadn't smoked since his teens. But yesterday, feeling the urge to commune with his boyhood self, he had bought a packet of menthol cigarettes and a box of matches. He opened the packet and, like his boyhood self, lit six matches before he succeeded in igniting the cigarette.

The tobacco was unimpressive. There was no Proustian rush, just a weary sensation of bad luck returning. Billy's guts clenched in protest, wondering why they were being offered minty fumes instead of tea and toast. He exhaled a cloud of blue smoke and the sea wind blew it back in his face.

Unlike Billy, Rawhead was fast and strong. He'd wish you good morning, then lunge like a barracuda. A man who would attack without fear or restraint. Before you knew it, you were bleeding. Then you were pleading. Then you were dead. Instinctively Billy clutched at his heart to ensure it hadn't happened already.

He couldn't go to the police. By the time the investigating officer had pedaled round on his bicycle, Billy, his family, the wedding guests would be dead, their hotel burned to the ground.

He couldn't even tell Nikki. She had a tendency toward depression, so Billy had shielded her from the truth of his recent past. She knew that Steve Ellis, Billy's boyhood friend, had been sent to a juvenile offenders' institution. She was not aware that Steve had reappeared in Billy's life as a fully grown murderer called Rawhead.

Remembering Nikki and their daughter, Maddy, knowing they needed his protection, Billy turned and started walking back to the hotel. It was what Charlton Heston would have wanted.

The long beach stretched for miles. Sheer, crumbling cliffs leered down at him. He turned slowly, treading parallel to his own winding footprints. He coughed, spit, and flung his half-finished cigarette into the foam, wondering how smoking could ever have caught on.

The wind hurled a gull off the cliff and it spiraled above his head, out of control and shrieking, not finding its wings until it was out over the sea. Billy watched it for a while, then glanced back.

A solitary figure stood on the shore far behind him.

At this distance it was impossible to see whether it was a man or a woman or whether the stranger was standing still or approaching. But something about the shape of the figure made Billy uneasy.

He turned back and carried on walking.

Billy knew what he must do. There could be no wedding. They had to leave now, immediately. Nikki wouldn't like it, but nor would she enjoy seeing her friends and family butchered. Any minor considerations such as losing money, disappointing guests, and alienating friends and family forever would have to be put aside. The only important consideration was to keep his family safe. They had to keep moving. A long trip abroad seemed like a very good idea.

Again he looked back. The figure on the sand appeared no closer than before. Yet Billy sensed it had stopped moving at the very moment he had turned, like a child playing a game of statues.

The light was changing for the worse. Gray clouds were drifting inland, drawing a curtain of darkness over the water.